Mohammad Mohammadzadeh Titkanloo with "Artificial Intelligence" exhibition at Maher Art Gallery
In the latest painting exhibition of Mohammad Titkanloo, 10 paintings by this artist with the theme of artificial intelligence were displayed in dimensions of 100 x 150 cm.
Iranart: Mohammad Mohammadzadeh Titkanloo's solo exhibition titled "Artificial Intelligence" was held from January 26 to February 16 by Fater Economics of Art Center (Maher Art Gallery) at Negarestan Museum Garden.
In the latest painting exhibition of Mohammad Titkanloo, 10 paintings by this artist with the theme of artificial intelligence were displayed in dimensions of 100 x 150 cm.
"This exhibition does not intend to define the phenomenon of artificial intelligence and its applications, but its main goal was to give an overview of this phenomenon." Titkanloo said about his recent exhibition.
He says about the idea behind this exhibition: I feel that artificial intelligence has a great impact on social life and I see around me how effective it has been. Artificial intelligence is the topic of the day, but trying to define it in the format of art has a certain complexity, which I have studied a lot about.
This artist believes that artificial intelligence is in its infancy and that's why his designs are simple, and maybe later when artificial intelligence evolves, his designs and paintings will become more complex.
In part of the statement of the exhibition, Titkanloo wrote: In the not too distant future, the phenomenon of artificial intelligence will dominate all life and death solutions, and although today we tell it what we want, tomorrow it will tell us what it wants!
About Mohammad Mohammadzadeh Titkanloo
Mohammad Mohammadzadeh Titkanloo, born on May 24, 1964, is a photographer, daguerreotypist, painter, author and researcher of photography and art history and the first Daguerreotypeist of contemporary Iran.
Some activities: reviving the ancient style of photography "daguerreotype" in the country, authoring and publishing 6 books and authoring more than 100 articles about art published in reputable publications, holding workshops and seminars, presenting several theories related to visual arts. Inventing the method of "Mime Dog" photography (digital daguerreotype), inventing "Monitor Snapshot Paper", presenting several theories in the field of visual arts: "vertical image" theory 2007 "author photographer" theory, Tater 2008 theory of "paridolia art" in arts Visualization 2008- Theory of architectural photography "Tafut" 2009 Theory of "Tbilisi School of Photography in Iran" 2015- Theory of "Visual image of the blind" 2016, holding periodical workshops "Painting behind the glass" for the MS Association 2017 - Designer of the book cover of the Cultural Institute Molyan Jam" 1970s, exhibition of metal sculpture collection 1995 - solo exhibition of oil and color paintings in archaic style with the titles "Constitutional Petitioners" in Artin Gallery, solo oil painting exhibition "Nader Shah's Battles" in Malek Museum. Holding the first solo daguerreotype photo exhibition of Iran in the Shahr Photographic Museum, holding a daguerreotype photography workshop at the Shahr Photographic Museum, also holding 2 other daguerreotype photography solo exhibitions and several artistic photography workshops, holding a solo painting exhibition titled "Perishable" in Maher Gallery,2021, a group exhibition of contemporary Iranian painters titled "The Second Month" at Laleh Gallery in 2022, a solo exhibition of paintings titled "Archetype" in 2022 at Naqsh Art Gallery, a group exhibition of contemporary Iranian painters titled "The Second Month" at Laleh Gallery in 2023.
About Fater Economics of Art Center
Fater Economics of Art Center is a part of Fater Holding which was launched in 2016 and operates in two fields of visual arts and music. Supporting artists, supporting collectors and expanding the art market are the three goals of Fater Economics of Art Center in the visual field.