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Mojdeh Tabatabaei to Speak on Mehdi Sahabi at Université Paris Cité
The second day of the four-day Congress of the French Association for Semiotics (AFS) at Université Paris Cité will feature a presentation by Mojdeh Tabatabaei, founder and director of Mojdeh Art Gallery, focusing on the artistic legacy of the renowned Iranian artist Mehdi Sahabi.
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Alireza Tabesh Reports 144% Growth in Hegta Tourism Holding’s Gross Profit/ New Hotel Projects in Khorramshahr and Lahijan
Hegta CEO announces that the company’s gross profit increased by 144 percent in the Iranian year 1404, while operating revenues rose by 60 percent compared to the previous year.
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Mojdeh Tabatabaei and the Book In Search of Meaning: A Semiotic and Semio-Semantic Analysis of Mehdi Sahabi’s Visual Artworks
Mojdeh Tabatabaei and the Book In Search of Meaning: A Semiotic and Semio-Semantic Analysis of Mehdi Sahabi’s Visual Artworks / Exploring the Meaning Behind Mehdi Sahabi’s Picture Series.
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Fardokht Kiaeimehr and the “Lapoushooni” Collection: The Aesthetics of Color Minimalism
The use of chromatic minimalism alongside textural maximalism creates a striking interplay of contrasts. The work possesses a powerful sensory presence; viewers instinctively feel compelled to touch its surface. This tactile quality plays a central role in the aesthetic language of the piece.
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Alireza Tabesh and the Development of Health Tourism in Hegta; from Homa Hotels and Raja Trains to Mashhad, Ardabil, and Anzali
Alireza Tabesh and the Development of Health Tourism in Hegta; from Homa Hotels and Raja Trains to Mashhad, Ardabil, and Anzali.
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Kiarash Yaghoubi and the Work Selected at the Fujairah Calligraphy Prize
Kiarash Yaghoubi and the Work Selected at the Fujairah Calligraphy Prize.
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Analysis by Seyedmohammad Omrany Art Basel Doha: A New Turning Point in the Middle East Art Economy
Analysis by Seyedmohammad Omrany Art Basel Doha: A New Turning Point in the Middle East Art Economy.
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Sanaz Zolfaghari with a Tribute to the Homeland in the Raha Gallery Middle East Collection / Video
This miniature painting is a distinguished example of a thoughtful synthesis between the tradition of Iranian miniature painting and contemporary sensibilities and interpretations. The work neither remains confined to a mere imitation of the past nor becomes detached from its cultural and identity-based roots; rather, through a redefinition of visual language, meaning, and form, it achieves a narrative that belongs firmly to the present.