Hossein Hashempoor
Neo-Masters: Crowning of Rising Stars According to Hossein Hashempoor

Offering masterpieces for sale at auction and in secondary art markets has become almost uncommon and undoubtedly rare since “The Ultimate Capital Commodity is the Artwork” became the focus of massive economic corporations.
IranArt : Hossein Hashempoor : This reality was formerly created in the art world by famous artists such as Picasso, Van Gogh, Da Vinci, de Kooning, Gauguin, Pollock, Rudko, and Rembrandt. In recent years, some Middle Eastern artists, like Mahmoud Saïd, Louay Kayali, Paul Gagosian, Fahrelnissa Zeid, Monir Farmanfarmaian, Fateh Moudarres, and Sohrab Sepehri, have experienced such an aspect.
Naturally, the art market does not now provide any new works by these prominent painters, but the demand for their creations is growing daily. Of course, living masters are also covered by this remark.
Possessing one of these artists' masterpieces is a mark of distinction for any recently founded museum. Many up-and-coming collectors hope to establish themselves and their collections by purchasing and conserving these works of art. However, which aged collector is prepared to part with these rare treasures?
Believe me, there aren't many masterpieces on the market if you just do a quick search. For both domestic and foreign auctioneers, this has grown to be a challenging issue.
_This is where the Neo-Masters' narrative starts
In order to generate substantial added value through art market strategies and ethical market-making procedures, those who have selected the art industry as a global professional prestige and wish to invest in art as a secure and long-term investment look for artists with a well-established signature and the capacity to own 30 to 40 of their works.
Of course, it is now impossible to locate dozens of pieces by a master with a well-established signature. The “Age of the Neo-Masters” begins at this point, when skilled dealers and professional collectors provide the therapeutic version of “A Guide for Up-and-Coming Artists on Personal Branding” to ensure that the art world doesn't stagnate since there aren't enough masterpieces.
For artists, this is especially important because they will no longer wait until they are 70 or 80 years old to become well-known artists in their later years. With the Neo-Masters criteria, certain artists are now valued at tens of thousands of dollars per piece, despite the fact that they are not yet fifty years old.
We are aware of at least a few artists in the Middle East who have accomplished this feat before turning 50. There may be a lot more of these artists if the Neo-Masters formula were used correctly and precisely. Of course, the availability of facilities and knowledge is essential.
_ Content creation: the key to success
Two important elements determine who will be acknowledged as rising stars in the art business.
Since Neo-Master is a product of the media-oriented period, it is accurate to say that the creation of designed material serves as the foundation for Neo-Mastering. Specialized media with an artistic target audience must observably document all market-making processes.
The second and last point
Verification of Neo-Masters is always a possibility. Only those who successfully make it through the art market's careful and astute filters and discover a verified signature are verified by the art market's sensors to be defect-free. Remember that the titans of the art market and art collectors are intellectuals who believe in capitalism. They are also quite excellent at spotting fake products, at least in the sphere of economics.