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In the visual world of Azim Morakabatchi , silence speaks louder than screams. In the painting “The Lady in Red”—a striking and contemplative work by this artist—the viewer enters a realm of stillness, muted fears, and suppressed narratives.
This untitled work by Bita Vakili, known as “Oil Highway,” was auctioned for $40,000 at Christie’s Dubai on October 21, 2014. Many art theorists praised the piece’s aesthetic value and its wide horizontal format, and commended the painter’s environmental awareness.
DM5 Vesta is both an adhesive and a protective medium, making it an excellent choice for adding texture and relief to your artwork while also offering exceptional protection.
This painting can be seen as a visual meditation—a spiritual journey from the complexity of the mind toward clarity and peace.
The presence of the woman in this piece has been transformed into nature itself; yet on deeper levels, it conveys a heavy silence, a feminine solitude, and a profound introspection, all enclosed within a vibrant and living natural world.
Ali Shahani, architect, entrepreneur, and artistic director, currently has two captivating plays simultaneously on stage in the role of producer.
The color palette of “Composition”, a work by Hossein Zenderoudi held in the Raha Gallery Middle East Collection, evokes the essence of earth, soil, and natural elements. Combined with the use of organic forms, it conveys a deep sense of connection to nature and tradition. The contrast between the warm colors and bold black lines adds to the strength and visual impact of the piece.
In his painting Oasis, Parviz Kalantari captures a vivid portrait of a bygone way of life—homes turned inward, courtyards filled with trees, and alleyways that served not only as thoroughfares but also as spaces for human connection. In this frame, Kalantari both revives the memory of those days and subtly critiques the modern disconnect between people and their roots or environments.
Parvaneh Etemadi , a pioneering lady of Iranian painting, passed away about two weeks ago at the age of 77. She had a very minimal and unique approach to painting, and her works were highly praised and appreciated both artistically and within the art market. On this occasion, a fascinating and interesting painting by this artist from the Raha Gallery Collection is analyzed and reviewed.
The removal of faces in the paintings of "Women and Sofas" by Maryam Darvish can symbolize the universality of the subject, meaning that any woman could take her place. Additionally, it can reflect a kind of social identitylessness among women or the lack of their personal voice in certain social contexts.